review | artscityliverpool 46/51

Woolton Picture House stages 12 Days of Christmas this December

When the Everyman and Playhouse first co-produced The Kite Runner five years ago, it became both the play’s European premiere and also...

The Wedding, Gecko’s dystopian exploration of an individual’s contract with - and role within - society, opens with a succession of happy...

Ria Jones’s Sunset Boulevard ‘journey’ is almost worth a play itself. The actress was the first to perform the Andrew Lloyd Webber...

EM Forster’s works often concern themselves with personal relationships and their clash with social mores, while in A Passage to India –...

First there was the muscular lyricism of Julian Rachlin’s Brahms Violin Concerto matched with a vibrant and colourful Enigma Variations,...

There are certain shows and stories that strike a deeply-felt chord with Liverpool audiences. Blood Brothers is one, and Twopence to...

Romantic love and death have long been artistic bedfellows, the inspiration for great literature and art, from Tristan and Isolde to...

Tim Firth and Take That’s musical has recently seen its run extended in to 2019 – a good gauge perhaps of just what a chord this tale of...

After Sgt Pepper – complete with bells, whistles and confetti – at the arena last week, the RLPO is back to regular business in Hope...

It was 10 years ago today – well, OK, give or take 24 hours – the Echo Arena was christened with a fanfare, Britannia, a real Beatle and...