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Review: Liverpool String Academy at the Tung Auditorium ****
It was the Liverpool String Academy’s inaugural concert at the city’s Tung Auditorium – but if there were any nerves among its youthful members, they certainly weren’t visible in what proved to be an accomplished and hugely impressive performance. Run by Early Music as Education (EMAE), a charity which basically does what it says on the tin by providing specialist music education for young people – irrespective of background or training – across Merseyside, Liverpool String A
Review: The Shawshank Redemption at the Liverpool Playhouse ****
Those of us of a certain vintage will remember going to see The Shawshank Redemption on the big screen back in 1994. Frank Darabont’s cinematic retelling of Stephen King’s novella Rita Hayworth and Shawshank Redemption was a real gut-punch of a watch, and it was its misfortune that when it came to Oscar time – where it was nominated for seven awards – it found itself up against the twin juggernauts of Forrest Gump and Pulp Fiction. Three decades on, much of that gut-punch is
Review: Talking Head Twice at the Unity Theatre ***1/2
Liverpool Improvisation Festival returns to the Unity this May with a programme of shows from some of the genre's brightest talent. Ahead of that, LiF organiser Wing it Impro took the chance to present a new idea currently in development in what was a well-received scratch performance which brought the Unity’s 2026 Up Next Festival to a close. Boasting the tagline 'Inspired by Bennett. Shaped by you', Talking Head Twice offers a huge nod to the nonagenarian playwright and all
Review: Knickerbocker Glory at the Unity Theatre ****
When you call yourself Choc-a-block Comedy, it inevitably creates a certain level of expectation. But Trading Standards can stand down, because Laura Robinson and Aidan Rivers’ droll double act happily lives up to its name in this chock-a-block comedy confection whipped up and staged as part of the Unity Theatre’s Up Next Festival. In Knickerbocker Glory, the recent LIPA acting graduates (Robinson appeared at the Unity several times during training, while you might recognise
Review: Spinster at the Unity Theatre ***1/2
One of the key elements of the Unity’s annual Up Next Festival is the disparate range of work on show over one busy four-day period. That packed programme reached its zenith with a trio of double bills on Friday evening, mixing and matching six short pieces, from ‘architects of the absurd’ to a dark comedy exploring the background of the pandemic to a cabaret in the middle of a compost heap. First out of the starting blocks in the initial double bill of the night was Martha J
Review: Mark Simpson's The Immortal at Liverpool Philharmonic Hall ****
Mark Simpson has revealed what he calls his ‘big and wild’ ambitions were ignited by the performances he watched and music he experienced as a youngster listening to concerts at the Philharmonic Hall. But while he may have dreamed a dream, one wonders if the Liverpool schoolboy really imagined he’d one day be feted as the orchestra that so influenced his youth premiered his own compositions in the same concert hall. Over the two decades and counting of his professional career
Review: Bember at the Unity Theatre ****
One of the few positive things to emerge from the Covid pandemic was the Unity Theatre’s Up Next Festival – designed to support and nurture new work by local talent. This year’s Up Next is the fifth annual festival, and over four days (it runs until Saturday) it is showcasing 20 pieces at various different stages of development, from rehearsed readings to fully formed productions. Up first at Up Next on its opening night was Bember, Winnie Grace Southgate’s dark comedy/comi-t
Review: From Classical to Romantic at the Tung Auditorium ****
There’s a scene in Amadeus where the impish composer and musician is welcomed by Emperor Joseph II who plays a somewhat ponderous little piece composed specially by Salieri. A giggling Mozart (Tom Hulce) proceeds to take the melody and improvise wildly and gleefully, showcasing his genius but guilelessly ridiculing the furious court composer’s effort at the same time. It was an era when soloists were expected to extemporise and ornament their performances. Mozart is said to h
Review: Waiting for Godot at the Liverpool Everyman *****
It may be a play where, as the tagline goes, “nothing happens…then nothing happens again”, but Samuel Beckett’s tragicomic masterpiece on the human condition is rich in incident and Shakespearean in scope. And it also fair twangs with vividness and life in this tremendous new co-production between Liverpool, Glasgow Citizen and Bolton Octagon, which features a pair of peerless performances from Everyman alumni Matthew Kelly and George Costigan. Jean Chan’s frayed set (even th
Review: Come Together at Liverpool's Royal Court ****1/2
The Beatles juggernaut shows no signs of slowing down, seven decades after it first set off on the road to stardom and immortality. Since Come Together – Tom Connor and Mark Newnham’s homage to Lennon and McCartney - was last staged at the Royal Court two years ago, Ian Leslie’s fab, and unexpectedly moving, book John and Paul: A Love Story in Songs has been published (if you haven’t read it, you really should). Meanwhile, in the last few weeks, Sam Mendes has started filming
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