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Review: Hamilton at the Liverpool Empire *****
There are some words which tend to get overused these days. Icon is one, and phenomenon is arguably another. Yet perhaps if anything in...


Review: Making It at Liverpool's Royal Court ***
No matter the generation, no matter the venue, or show or size of the audience - the smell of the greasepaint and the roar of the crowd...


Review: Takeaway at the Liverpool Everyman ***
Creative director Nathan Powell got his feet under the table at the Everyman and Playhouse last December. But programming isn’t an...


Review: Calamity Jane at the Liverpool Empire ****
Some musicals start on stage and migrate to the big screen – and some begin as films and have an afterlife in the theatre. Calamity Jane...


Review: Glagolitic Mass at Liverpool Philharmonic Hall ****1/2
Conductor introductions can be an illuminating way into a concert programme for audiences. But when Dinis Sousa produced a microphone at...


Review: Pride & Prejudice* (*sort of) at the Floral Pavilion ****1/2
From Oscar winning Hollywood film to Bridget Jones to Pride and Prejudice and Zombies, it’s a truth universally acknowledged that Jane...


Review: War Horse at the Liverpool Empire *****
During the First World War, more than a million horses were shipped across the Channel to the battlefields of Belgium and Northern...


Review: Red or Dead at Liverpool's Royal Court ****1/2
Football and theatre - both stages on which compelling drama can unfold. Sometimes the two come together: think The Damned United, Bend...


Review: Boys from the Blackstuff at the Liverpool Empire ****
In the early 80s, Alan Bleasdale was a member of the Liverpool Playhouse’s ‘Gang of Four’ – the quartet who nurtured writers and new work...


Review: Pig Heart Boy at the Liverpool Playhouse ****
Life isn’t always easy – and great children’s stories don’t shy away from covering sensitive issues and asking difficult questions....
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