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Review: The Constant Wife at the Liverpool Playhouse ****1/2
What would you do if you discovered your other half was cheating on you? Pack a bag and leave? Throw them out and change the locks – having first taken scissors to their wardrobe? Or go down the Beyoncé route and channel you pain into an acclaimed best-selling album? Constance Middleton (Kara Tointon), the heroine of Laura Wade’s larky, sparky, stylish adaptation of W Somerset Maugham’s 1920s ‘comedy of manners’, opts for a more measured but no less decisive and devastating r
Review: War of the Worlds at the Liverpool Playhouse ***
HG Wells’ pioneering, prescient sci-fi classic has been presented in a myriad of ways over the 128 years since it was first published – from films and TV series (the Beeb’s 2019 version was partially shot in and around Liverpool) to Orson Welles’ famous 1938 radio bulletin version which put the frighteners into listeners in New Jersey to Jeff Wayne’s musical spectacular with its giant hologram face and tripod fighting machine. Wayne’s huge, immersive arena show underlines one
Review: Dear England at the Liverpool Empire ****1/2
When Bill Shankly told a journalist that football wasn’t just a matter of life and death but was “much more important than that” he was articulating his total dedication to the game. But he could just as easily have been giving voice to the feeling of generations of diehard England fans who have celebrated (and mythologised) the team’s highs and loudly mourned their many lows. Pressure and expectation weighs heavy on the shoulders of every successive England squad, both men a
Review: The Memory of Water at the Liverpool Everyman ****
It’s been 30 years since Shelagh Stephenson’s darkly comic play premiered at the Hampstead Theatre, going on to transfer to the West End and Broadway and winning an Olivier to boot. And while the creamy tones of Nat King Cole might punctuate scene changes in this sparky revival at the Liverpool Everyman, it’s the sound of the Spice Girls which drags us back aurally to 1996, the year of genetically modified crops, royal divorces, Dunblane, Dolly the sheep and Trainspotting. In
Review: The Woman in Black at the Liverpool Playhouse ****1/2
Sometimes you simply have to pause and marvel at our desire to be scared witless – surely humankind being a strange outlier among the rest of the animal kingdom. True, the experience is accompanied by the knowledge the films, TV shows, plays, stories or ghost hunts which provoke that thrilling adrenaline spike are a safe kind of scare. We remain physically, if not psychologically, unscathed – who hasn't had the urge to check over their shoulders or under their beds at some ti
Review: The Peaceful Hour 2 at Liverpool's Royal Court ***1/2
Back in the day, many a Merseysider would make a late-night date with Radio City’s The Peaceful Hour – tuning in to drop off to its soothing musical vibes and the dulcet tones of one Pete Price Esq. It means before anyone even reaches for the radio dial on stage, there’s an immediate layer of nostalgia which underpins The Peaceful Hour 2, playwright Gerry Linford’s amiable, knockabout late night-set sequel to the titular comedy which was premiered at the Royal Court 12 months
Review: The Ghost of Graves End at the Unity Theatre ****1/2
Two months after his one-woman tragi-comedy Stella roared on to the Unity stage, busy Liverpool playwright Robert Farquhar is back with another whirlwind of a show. And if you are a fan of Farquhar, and particularly his work with - the now sadly defunct – Big Wow, a sucker for a chilling theatrical experience or a lover of off-the-wall comedy, you won’t want to miss it. Ostensibly an affectionate homage to, and send-up of, ghost stories like Susan Hill’s ever popular The Wom
Review: KITTEL at the Unity Theatre ****
Everyone is aware of the phrase – all it takes for evil to thrive is for good men to do nothing. Good and evil is, in theory at least, binary and stark. Black and white. Right and wrong. But reality, that place where good intentions and moral certainties come up against human frailty – greed, ambition, cowardice, self-interest, indifference - is much more grey and muddy than that. Catherine Harrison’s quietly powerful and thought-provoking new play, brought to the Unity Theat
Review: Tabakova Accordion Concerto at the Liverpool Philharmonic ****1/2
While this Thursday night concert on a chill January evening was officially billed as 'Rachmaninov Symphony No.3', it was really all about the accordion with the UK premiere of a new concerto from the ebullient Bulgarian-British composer Dobrinka Tabakova. And who better to perform it than Ksenija Sidorova, whose artistry with what is essentially a portable organ (albeit a backbreakingly heavy one at 20kg/three-and-a-half stone in old money) is unparalleled. If you’ve ever tr
Review: Mary Poppins at the Liverpool Empire *****
Author PL Travers actively disliked Disney’s Oscar-winning screen version of Mary Poppins with its dancing penguins, (in her view) overly sugary heroine and twee sentimentality and, perhaps more incomprehensibly, the Sherman Brothers’ soundtrack of songs. Apparently, she took a lot of persuading before agreeing to let Cameron Mackintosh create a stage version and only then with a whole raft of provisos – although she didn’t live to see the subsequent show premiere in the West
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